Skip to Content
Dust Collective
HOME
STORE
EVENTS
ABOUT
(0)
CART (0)
Dust Collective
HOME
STORE
EVENTS
ABOUT
(0)
CART (0)
HOME
STORE
EVENTS
ABOUT
STORE A Short History of Cyanotype by Emily Sheffer
_DSF1279.jpg Image 1 of 9
_DSF1279.jpg
_DSF1281.jpg Image 2 of 9
_DSF1281.jpg
_DSF1282.jpg Image 3 of 9
_DSF1282.jpg
_DSF1283.jpg Image 4 of 9
_DSF1283.jpg
_DSF1284.jpg Image 5 of 9
_DSF1284.jpg
_DSF1285.jpg Image 6 of 9
_DSF1285.jpg
_DSF1286.jpg Image 7 of 9
_DSF1286.jpg
_DSF1287.jpg Image 8 of 9
_DSF1287.jpg
_DSF1288.jpg Image 9 of 9
_DSF1288.jpg
_DSF1279.jpg
_DSF1281.jpg
_DSF1282.jpg
_DSF1283.jpg
_DSF1284.jpg
_DSF1285.jpg
_DSF1286.jpg
_DSF1287.jpg
_DSF1288.jpg

A Short History of Cyanotype by Emily Sheffer

$450.00
Sold Out

A Short History of Cyanotype explores how invention of photography was influenced by the fields of chemistry, botany, and astronomy, and driven a social circle that included Henry Fox Talbot, John Herschel, and Anna Atkins.

Using the earliest photographic processes, Henry Fox Talbot made dozens of botanical prints. John George Children, a botanist, studied Talbot’s prints, and shared them with his daughter, Anna Atkins.

In 1842, British astronomer John Herschel invented cyanotype printing. In under a year, Anna Atkins began her photographic work. 

Today, Anna Atkins is acknowledged as the first female photographer, and her work, Photographs of British Algae: Cyanotype Impressions (1843) is considered the  first photographically illustrated book.

This book was made during the Maine Media Workshops and College Book Arts Residency in 2019. Select images courtesy of The Metropolitan Museum of Art and The New York Public Library.

Edition of 10
8.5” x 11”

Four hand stitched soft cover books in a custom clamshell box.
Letterpress text. Images printed on archival inkjet paper, interleaved with vellum inserts.

Autumn 2019, designed by Emily Sheffer and published by Dust Collective.

Add To Cart

A Short History of Cyanotype explores how invention of photography was influenced by the fields of chemistry, botany, and astronomy, and driven a social circle that included Henry Fox Talbot, John Herschel, and Anna Atkins.

Using the earliest photographic processes, Henry Fox Talbot made dozens of botanical prints. John George Children, a botanist, studied Talbot’s prints, and shared them with his daughter, Anna Atkins.

In 1842, British astronomer John Herschel invented cyanotype printing. In under a year, Anna Atkins began her photographic work. 

Today, Anna Atkins is acknowledged as the first female photographer, and her work, Photographs of British Algae: Cyanotype Impressions (1843) is considered the  first photographically illustrated book.

This book was made during the Maine Media Workshops and College Book Arts Residency in 2019. Select images courtesy of The Metropolitan Museum of Art and The New York Public Library.

Edition of 10
8.5” x 11”

Four hand stitched soft cover books in a custom clamshell box.
Letterpress text. Images printed on archival inkjet paper, interleaved with vellum inserts.

Autumn 2019, designed by Emily Sheffer and published by Dust Collective.

A Short History of Cyanotype explores how invention of photography was influenced by the fields of chemistry, botany, and astronomy, and driven a social circle that included Henry Fox Talbot, John Herschel, and Anna Atkins.

Using the earliest photographic processes, Henry Fox Talbot made dozens of botanical prints. John George Children, a botanist, studied Talbot’s prints, and shared them with his daughter, Anna Atkins.

In 1842, British astronomer John Herschel invented cyanotype printing. In under a year, Anna Atkins began her photographic work. 

Today, Anna Atkins is acknowledged as the first female photographer, and her work, Photographs of British Algae: Cyanotype Impressions (1843) is considered the  first photographically illustrated book.

This book was made during the Maine Media Workshops and College Book Arts Residency in 2019. Select images courtesy of The Metropolitan Museum of Art and The New York Public Library.

Edition of 10
8.5” x 11”

Four hand stitched soft cover books in a custom clamshell box.
Letterpress text. Images printed on archival inkjet paper, interleaved with vellum inserts.

Autumn 2019, designed by Emily Sheffer and published by Dust Collective.

Sign up for the Dust Collective Newsletter!

Thank you!